L.C. ARMSTRONG

Jenkins, Mark. “Waves at Matsushima,” The Washington Post, July 2, 2011

Armstrong, L.C., “Blue Shift”, Women in the Arts, October 22, 2009

McKinnon, E. Luanne. Cirque du Paradis.” L.C. Armstrong: flowerscapes. New York: Marlborough Gallery, 2009.

McKinnon, E. Luanne. “LC. Armstrong and the Language of Flowers.” L.C. Armstrong: The Paradise Triptychs. Winter Park: Cornell Fine Arts Museum, Rollins College, 2008

Ayers, Robert. “A Shift in the New York Landscape.” artinfo.com, September 10, 2007

Ayers, Robert. “What’s in Your Studio, L.C. Armstrong?.” artinfo.com, September 11, 2007

Brady, Sallie. “Young, Focused and Fearless.” Art & Antiques, November 1, 2005

Slesin, Suzanne. “Art Lovers.” O At Home Magazine, December 1, 2005

Pagel, David and Terri Sultan. Populence. Houston: Blaffer Gallery, The University of Houston, 2005

Shaw-Eagle, Joanna. “Fusing Beauty with Danger: Armstrong’s Intense Vision.” The Washington Times, January 17, 2004

Hettig, Frank-Alexander. “Verbloemde omineuze symboliek.” kM, October 1, 2002

Anonymous. “Young Americans: L.C. Armstrong on the Hudson River School.” Tate: The Art Magazine, April 1, 2002

Watson, Neil. “Close Cover Before Striking,” essay, catalog, “Burn: Artists Play with Fire,” Norton Museum of Art, West Palm Beach, FL, 2001

Sheets, Hilarie M. “Reinventing the Landscape.”ARTnews, March 1, 2001, pp. 128-133

Anonymous. “Twisted. Urban and Visionary Landscapes in Contemporary Painting.” Witte Raaf, 2000

Verstraten, Meggie. “. “‘Verdraaide’ Landschappen.” Vereniging Vrienden Stedelijk van Abbemuseum.” JRG. 6, NR. 2, November 2000, pp. 4-6

Van Neerven, Gabriël. “Fotografische landschappen in het Van Abbe.” X, November 06, 2000

Spijkerman, Sandra. “Een versameling bijzondere landschappen.” Trouw, November 01, 2000, p. 17

Kattenberg, Peter. “Kunstmatige schilderkunst. Beeldende kunst Visionaire landschappen in het Van Abbemuseum.” Financieele Dagblad, October 14, 2000

Pontzen, Rutger. “De samenzwering van de schilders.” VN, October 07, 2000

den Hartog Jager, Hans. “Het paradijs is ongenietbaar: Trippy landschappen in Eindhoven.” NRC Handelsblad – supplement, September 29, 2000

Blotkamp, Carel. “Het groene hart van Global City.” de Volkskrant, September 28, 2000

Spaninks, Angelique. “Hedendaagse hallucinaties. ‘Twisted’, verknipte visies op stad en land in de hedendaagse schilderkunst.” Eindhovens Dagblad, September 28, 2000

Steinner, Flora. “De tijdgeest betrapt.” Algemeen Dagblad, September 26, 2000

Bronwasser, Sacha. “Die Biënnale, daar zap je toch een beetje langs. Conservator Jaap Guldemond kiest wie naar Venetië gaat. ‘Het begint bij mij altijd bij de kunstenaar’.” de Volkskrant, September 23, 2000

Anonymous. “Wakker in een nieuwe wereld: Moderne media doen intrede in figuartieve kunst.” Spits, September 21, 2000, p. 12

Anonymous. “Twisted. Internationale jonge kunstenaars in Van Abbe.” Weekblad Voor Deurne, September 21, 2000

Anonymous. “Beeldende Kunst, 2000.” Het Parool, August 25, 2000, p. 5

Protzman, Ferdinand. “Landscapes that Burn into the Imagination.” The Washington Post, April 27, 2000

van de Velde, Paola. “Romantiek vermengd met Walt Disney.” Telegraaf, April 10, 2000

Volk, Gregory. “L.C. Armstrong at Postmasters.” Art in America, April 1, 2000

Ziolkowski, Thad. “L.C. Armstrong Review.” Artforum, March 1, 2000

Hayt, Elizabeth. “Style Directive for 2000: Make It Extravagant.” The New York Times, January 2, 2000

Geerling, Let. “Geschilderde natuurbeelden.” Metropolis M, Nummer 6, January 01, 2000

Pagel, David. “Flowers on a Fuse.” Los Angeles Times, May 7, 1999

Volk, Gregory. “L.C. Armstrong’s Floral Paintings.” L.C. Armstrong. Mall Flowers. Frankfurt: Galerie Hübner, 1998

Sultan, Terrie, The 45th Biennial: The Corcoran Collects, 1907-1998, essay, catalog, Washington, D.C., United States, 1998

Protzman, Ferdinand, “Business is Booming: Bomb Fuse Ignites L.C. Armstrong’s Imagination.” The Washington Post. Saturday, March 22, 1997.

Milani, Joanne. “Gallery Glimpses.” The Tampa Tribune, August 11, 1995

Weibel, Peter, “Pittura/Immedia”, catalogue, Neue Galerie am Landesmuseum Joanneum Graz, Austria, 1995

Bousman, Kelly, “L.C. Armstrong: Making and Unmaking”, essay, catalogue, “Making and Unmaking“, University of South Florida, Contemporary Art Museum, Tampa, FL, 1995

Bousman, Kelly, “Resounding Silence: The Work of L. C. Armstrong”, essay, catalogue, “Making and Unmaking“, University of South Florida, Contemporary Art Museum, Tampa, FL, 1995

Napack, Jonathan. “Art.” New York Magazine, September 12, 1994.

Rappenecker, Gert, “Jet Lag”, catalogue, Galerie Martina Detterer, Frankfurt, Germany, 1994.

Hirsch, Faye. “L.C. Armstrong at John Post Lee.” Art in America, January 1994

Schwabsky, Barry. “L.C. Armstrong: Written on the Body.” Art Press, July 1, 1994

French, Christopher, “Like a Body Without a Shadow”, essay accompanying curation of exhibition, Marsha Mateyka Gallery, Washington, DC., 1993

McWilliams, Martha. “Shaping Up.” Washington City Paper, April 23, 1993.

Richard, Paul. “Abstract and Personal.” The Washington Post, September 01, 1991

Thorson, Alice. “Brushing the Surface.” The City Paper, September 26, 1991